Re: softspoken

Do you go to cons only to discover that the Guest of Honor is someone you’ve barely heard of? That certainly makes me feel stupid. For instance, last year Lucius Shepard was the GoH at Readercon, and had interesting things to say in his interview. I decided I needed to do my homework. Now I’m […]

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Re: Kiosk

The Secret History of Moscow gave us a glimpse of the kiosks filling the streets. In “Kiosk,” by Bruce Sterling, we see into their hectic world. Borislav runs a little kiosk that’s so sucessful, a woman from the EU buys him out. His customers are heart-broken at the loss of the source of their hair […]

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Re: Always

Funny how you can always tell a cult by who gets to have sex. In “Always,” by Karen Joy Fowler, the unnamed narrator is warned by her mother: if only the pastor is having sex, it’s a cult. When the narrator and her husband come to Always and discover exactly that about Brother Porter, she […]

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Re: Safeguard

Some topics you need to write about with some restraint, like putting kids into danger to get the reader’s sympathy. Toward the end of “Safeguard,” by Nancy Kress, the story hangs a lantern on what a low device this is, and in general, shows restraint in depicting the children, and letting you feel as you […]

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Re: Fountain of Age

When I read a story that I don’t like written by someone I admire, it makes feel like there’s something wrong with me. Nancy Kress, for example, is incredibly smart about writing, she gets her science right, she gets her people right–but every now and then I run across a story that rubs me the […]

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